Zebra
Victor Grauer
Imagine yourself in a pitch black cellar with a zebra --
Imagine a zebra wading in a shallow sea of blood.
Monday, February 29, 2016
Friday, February 26, 2016
On Translation
Paul Celan's best known poem, Todesfuge, usually translated "Death Fugue," contains the following phrase: "der Tod ist ein Meister aus Deutschland," consistently translated as "Death is a master from Germany," or "Death is a German master." I've always been bothered by this, because in English calling someone a "master" in such a context makes little sense. Master of what?
Thursday, February 25, 2016
Illness
Illness
by Victor Grauer
Illness is a kind of intoxication
In which you drink pure pain
Like a freezing glass of pure grain
Alcohol. All your senses strain
Against a kind of ontological membrane --
If it breaks you die.
Sunday, February 21, 2016
Flow
from Book of the Year Three Thousand, by Victor Grauer
flow through tender root and earth flow through tender root and earth like the fine rain fine rain that falls flow flow like the fine rain that falls flow flow through tender root and earth flow like the fine rain that falls flow flow like the fine rain fine rain that falls flow through tender root and earth flow
flow through tender root and earth flow through tender root and earth like the fine rain fine rain that falls flow flow like the fine rain that falls flow flow through tender root and earth flow like the fine rain that falls flow flow like the fine rain fine rain that falls flow through tender root and earth flow
Friday, February 19, 2016
Resurrecting Scratch
This one was published several years ago in the Mississippi Review, but I can no longer find it there.
Thursday, February 18, 2016
What is Poetry? A Manifesto
Before posting any poems I'd like to let my readers, and fellow poets, know something about how I stand on poetry, since my ideas on this topic are, to say the least, different. Some might consider them unreasonable or perhaps even dogmatic. They don't really reflect my "standards," because I don't really have any "standards." As I said in the first post, I don't believe in bad poetry. However, my little manifesto is important to me because it conveys a sense of what I find most meaningful in a poem -- and that, it seems to me, is very different from the way most people approach poetry. It might sound unreasonably narrow minded, and I don't consider myself a narrow minded person -- but I do find it important to express the essence of what to me lies at the heart of true poetry. Take it or leave it, this is how I feel.
What follows was written some time ago, and is based on posts lifted from another of my many blogs:
"What is poetry? And if not what is poetry then what is prose?" That's probably the best general definition. Gertrude Stein.
What follows was written some time ago, and is based on posts lifted from another of my many blogs:
"What is poetry? And if not what is poetry then what is prose?" That's probably the best general definition. Gertrude Stein.
Introduction
I've been writing poetry since childhood and for the most part keeping it to myself. And yes, I've had poems published, and I've occasionally read in public; and yes, people have from time to time had nice things to say about certain poems. But for the most part my life as a poet has been frustrating. All I've ever really wanted to do was share my poems with others, but for some reason it's never been as simple as one might think. The whole process of submitting work for publication is extremely distasteful. I was going to write "distasteful to me," but I'm sure it's distasteful to just about everyone.
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